Éric Baudelaire (1973) is an artist and filmmaker based in Paris, France. After training as a political scientist, Baudelaire established himself as a visual artist with a research-based practice incorporating photography, printmaking and video. Since 2010, filmmaking has become central to his work. His feature films Un film dramatique, Also Known as Jihadi, Letters to Max, The Ugly one and The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 Years Without Images have circulated widely in film festivals (including Locarno, Toronto, New York, FID Marseille and Rotterdam). When shown within exhibitions, Baudelaire’s films are part of broad installations that include works on paper, performance, publications and public programs, in projects such as Après at the Centre Pompidou in Paris, and The Secession Sessions, which began at Bétonsalon in Paris and traveled to Bergen Kunsthall, the Berkeley Art Museum and Sharjah Biennial 12. Baudelaire has had monographic exhibitions at the Witte de With, Rotterdam, Tabakalera, San Sebastian, the Fridericianum, Kassel, the Beirut Art Center, Gasworks, London, and the Hammer Museum in Los Angeles, and has participated in the 2017 Whitney Biennale, the 2014 Yokohama Triennale, Mediacity Seoul 2014, and the 2012 Taipei Biennial. In 2019 Baudelaire was the recipient of a Guggenheim Foundation Fellowship, and the Prix Marcel Duchamp • 

COMPLETE CV ︎︎︎


PUBLIC COLLECTIONS
Museum of Modern Art, New York
Whitney Museum of American Art, New York
Museo Reina Sofia, Madrid
MACBA, Barcelona
MMK, Frankfurt
MUDAM, Luxembourg
MMCA, Seoul
M+, Hong Kong
Centre Pompidou/Musée National d’Art Moderne, Paris
Fond National d’Art Contemporain, France
FRAC Auvergne, France
FRAC Grand Large - Hauts-de-France
FRAC Franche-Comté
Institut d’Art Contemporain (IAC), Lyon
Fonds Municipal d’Art Contemporain de la Ville de Paris (FMAC)

 FELLOWSHIPS AND PRIZES
Marcel Duchamp Prize 2019
Guggenheim Fellowship 2019
Future of Europe Art Prize 2017 
Sharjah Biennial 12 Prize, 2015
SeMA-HANA Mediacity Award 2014
Audi Talent Awards Art Prize 2012
Prix HSBC pour la Photographie 2005
New York Foundation for the Arts Fellowship 2002

RESIDENCIES
Villa Medicis, Académie de France à Rome, 2017
IASPIS, Stockholm, 2013
Villa Kujoyama, Kyoto, 2008

TEACHING
Director, RAW Academy Session 7, Dakar, Senegal, 2019
Professor, École Nationale Supérieure des Beaux Arts de Lyon, 2011-2013
SOLO EXHIBITIONS

2021
Death Passed My Way and Stuck This Flower in My Mouth, Kunst Halle Sankt Gallen, Switzerland
When There Is No More Music to Write, Spike Island, Bristol, United Kingdom

2020
Éric Baudelaire, Matadero, Madrid, Spain
Yabuno-naka nihon sekingu, Asakusa, Tokyo, Japan (with Naeem Mohaiemen)

2019
Faire avec, Centre Régional d’Art Contemporain Occitanie, Sète, France
Some Letters, The Island Club, Limassol, Cyprus
Afterimage, Barbara Wien, Berlin, Germany

2018
Walked the Way Home, Neuer Berliner Kunstverein (n.b.k.), Berlin, Germany
Prove e Motivi, Capo d’Arte, Gagliano del Capo, Italy (with David Douard)

2017
APRÈS, Centre Pompidou, Paris, France
Dora Maar Début, Galerie für Zeitgenössische Kunst, Leipzig, Germany
The Music of Ramón Raquello and his Orchestra, Tabakalera, San Sebastian, Spain
Fukeiron, Galería Juana de Aizpuru, Madrid, Spain
The Music of Ramón Raquello and his Orchestra, [formerly known as] Witte de With, Rotterdam, The Netherlands

2016
A Form that Accommodates the Mess, Barbara Wien, Berlin, Germany

2015
The Ugly One, Ludwig Forum, Aachen, Germany
The Secession Sessions, Matrix 257, UC Berkeley Art Museum, San Francisco, United States 

2014
FRMAEOWRK, Fridericianum, Kassel, Germany
The Secession Sessions, Bergen Kunsthall, Norway
L’œil se noie, KIOSK, Ghent, Belgium (with Mathieu K. Abonnenc)
The Secession Sessions, Bétonsalon, Paris, France

2013
The Anabasis and The Ugly One, Gallery Greta Meert, Brussels, Belgium Now_Then_Here_Elsewhere, Beirut Art Center, Lebanon

2012
The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 Years without Images, Gasworks, London, UK
La Anábasis de May y Fusako Shigenobu, Masao Adachi, y 27 años sin imágenes, Galería Juana de Aizpuru, Madrid, Spain
The Music of Ramón Raquello, Slought Foundation, Philadelphia, United States
The Museum of Ante-Memorials, 8th Taipei Biennial, Taipei Fine Arts Museum, Taiwan (curatorial project)

2011
Éric Baudelaire: Sugar Water, Franklin Art Works, Minneapolis, United States
The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 Years without Images, CAC La Synagogue de Delme, France

2010
Hammer projects: Éric Baudelaire, Hammer Museum, Los Angeles, United States Unfinished Business, Gallery TPW, Toronto, Canada

2009
Anabases (I), Elizabeth Dee Gallery, New York, United States
Anabases (II), Galerie Greta Meert, Brussels, Belgium

2008
Site Displacement/Déplacement de Site, La Tôlerie, Clermont-Ferrand, France 

2007
Circumambulation, Elizabeth Dee Gallery, New York, United States
Éric Baudelaire, Musée de la Photographie, Charleroi, Belgium
Acontecimientos, Galería Juana de Aizpuru, Madrid, Spain

2006
Imagined States, Phillips de Pury, New York, United States

2005
Imagined States, Le Château d’Eau, Toulouse, France


SELECTED GROUP EXHIBITIONS

2021
When the Present is History, Museum of Comtemporary Art, Thessaloniki, Greece
Though it’s Dark, Still I Sing, 34ème Biennale de Saõ Paulo, Brazil
The Artists’ Library: 1989 - 2021, Macro Museum, Rome, Italy

2020
Matter of Art, Biennale de Prague, Czech Republic
Resisting Images, Images Responding, Coalmine, Winterthur, Switzerland

2019
Prix Marcel Duchamp, Centre Pompidou, Paris, France
You, Musée d’Art Moderne de la Ville de Paris, France
When the Present is History, DEPO, Istanbul, Turkey
Deep Sounding, DAAD Gallery, Berlin, Germany
VIDEONALE.17, Refacted Realities, Kunstmuseum Bonn, Germany
La Rue. Où le monde se crée, Moco Panacée, Montpellier, France (cur. Hou Hanru)

2018
The Big Aspiration of the Small Picture, Barbara Wien, Berlin, Germany
New acquisitions: Éric Baudelaire, LaToya Ruby Frazier, Alban Hajdinaj, Jumana Manna, Centre Pompidou, Paris, France
La strada. Dove si crea il mondo, MAXXI, Rome, Italy (cur. Hou Hanru)
Letters of Last Resort, Damien & The Love Guru, Brussels, Belgium
Take Me (I’m Yours), Villa Medicis, Rome, Italy (cur. Chiara Parisi, HU Obrist)
Front International Cleveland Triennial, Cleveland, USA
Assembly, CAC la Synagogue de Delme, Delme, France
FRMAWREOK, FAMREWROK FRMWRAOEK, Alkovi, Helsinki, Finland
Stadtansichten, Heidelberger Kunstverein, Heidelberg, Germany
A Conversation Piece IV, Fondazione Memmo, Rome, Italy

2017
Concrete Truth: Art and the Documentary, ISCP, New York, (cur. Kari Conte)
Home Beirut. Sounding the Neighbors, MAXXI, Rome, Italy (cur. Hou Hanru)
Musées en oeuvre(s), New presentation of contemporary collections, Centre Pompidou, Paris
Act II, Sharjah Biennial 13, Tamawuj, Beirut Art Center, Lebanon
Almost nothing, and yet not nothing, MOT Satellite program, Tokyo, Japan
4th Ural Industrial Biennial of Contemporary Art, NCCA, Ekaterinburg, Russia
2017 Whitney Biennial, Whitney Museum of American Art, New York, United States
Contour Biennale 8 (cur. Natasha Ginwala), Mechelen, Belgium
RIVERRUN, Taipei Fine Arts Museum, Taiwan
House of Commons, Portikus, Frankfurt am Main, Germany

2016
Le Grand Balcon, Biennale de Montréal 2016, Montréal, Canada (cur. Philippe Pirotte)
Territories and Fictions, Thinking a New Way of the World, Museo Reina Sofia, Madrid, Spain
Still (the) Barbarians, EVA International, Ireland’s Biennale, Limerick (cur Koyo Kouoh)
Économie de la tension, Parc Saint-Léger, Centre d’art contemporain, Pougues-les-Eaux, France
The Inoperative Community II, Muzeum Sztuki, Lodz, Poland (cur. Dan Kidner)
No Shooting in this Area, Bel Ordinaire, Billère, France
Petit déjeuner au crépuscule, Centre d'art image/imatge, Orthez, France
Il y a de l’autre, Atelier des Forges, Les Rencontres de la Photographie, Arles, France

2015
The Inoperative Community, Raven Row, London, UK (cur. Dan Kidner)
Paysages Urbains, rêve et réalité, Domaine de Chamarande, France
Moving Image Department – 3rd Chapter: The Owl’s Legacy and its Discontents, National Gallery, Prague (cur. Adam Budak, Jen Kratochvil)
The Vanishing Point of History, Lectoure, France (cur. Catsou Roberts)
Sharjah Biennial 12, The past, the present, the possible, UAE (cur. Eungie Joo)
Pliure. Épilogue, Palais des Beaux Arts, Paris

2014
ART Fahrenheit 451, Yokohama Triennale, Japan (cur. Morimura Yasumasa)
Mediacity Biennale SeMA, Ghosts, Spies and Grandmothers, Seoul (cur. Park Chan-Kyong)
La Photographie performe: the Body and the Archive, CPIF, Pontault-Combault
Out of the Blue, The National Gallery of Kosovo, Pristina (cur. Corinne Diserens)
Once documentary, Camera Austria, Graz, Austria
Reading Cinema, Finding Words, Museum of Modern Art, Tokyo
Classé X, FRAC Loraine, Metz

2013
Archeologies of the Future 2, Campagne Première, Berlin, Germany
Liquid Assets, Steirischer Herbst, Ex-Zollamt, Graz, Austria (cur. Katarina Gregos)
Reading Cinema, Finding Words, Museum of Modern Art, Kyoto
New Acquisitions, MACBA, Barcelona
Ulysses, l’autre mer, FRAC Bretagne
Nothing is Normal, bureau publik, Copenhagen
fALSEfAKES, Centre de la Photographie, Genève
Duet, Cristina Guerra gallery, Lisbon
L'apparition des images, Fondation Ricard, Paris

2012
8th Taipei Biennial, Taipei Fine Arts Museum, Taiwan (cur. Anselm Franke)
Baltic Triennial of International Art, Mindaugas Triennial, Vilnius (cur. Defne Ayas, Benjamin Cook)
Carnal Knowledge, Leslie Tonkonow, New York
A Blind Spot, Documentary Forum II, Haus der Kulturen der Welt, Berlin (cur. Catherine David)
Intense Proximité, La Triennale, Palais de Tokyo, Paris (cur. Okwui Enwezor)
Les Monuments Invisibles, La Galerie, Noisy-le-Sec, France
La chispa que incendia la llanura, Centro Ecuatoriano de Arte Contemporáneo, Quito, Ecuador
Affinités, déchirures et attractions, FRAC Alsace, Sélestat, France

2011
Elastic Frames, Transmission Gallery, Glasgow, UK
Void if Removed, Le Plateau FRAC Ile de France, Paris (cur. Guillaume Désanges)
Ce matin j’ai assisté à la destruction du monde en spectateur attentif, et puis je me suis remis au travail, Le Quartier, Quimper
A Horse with No Legs Still Makes Him a Winner, Recess Activities, NY (cur. Galeria Perdida)
Definitive Gaze, Newbridge Space, Newcastle upon Tyne, UK
Collector, Le Tri Postal, Lille
All That Fits, Quad, Derby, UK

2010
Watchmen, Liars, Dreamers, Le Plateau FRAC IdF, Paris (cur. Guillaume Désanges)
A Never Ending Story, CAC Sukhum, Abkhazia (cur. Chris Sharp)
Vernacular of Violence, Invisible Exports, New York
Collecter / Recycler, Centre de la Photographie d’Île-de-France, Pontault-Combault
Public Image, Cooper Gallery, University of Dundee, UK

2009
Great Expectations, Casino Luxembourg, Luxembourg
Photocinéma, Format, Quad, Derby, UK
Paysages Urbains, rêve et réalité, Domaine de Chamarande, France

2008
Second_Nature, Dexia BIL, Luxembourg and Domaine de Chamarande, France
La Foule (Contrôle-Chaos), La Tôlerie, Clermont-Ferrand, France
Il Faut Détruire Carthage, Lieu-Commun, Toulouse, France
La Grande Traversée / Horizons photographiques - Œuvres du FNAC, Centre VU, Québec

2007
New presentation of the contemporary collections, Centre Pompidou / MNAM, Paris
Replaying Narrative, Le Mois de la Photo à Montréal, Canada
A Travers le Miroir (Western Moderne), FRAC Auvergne, France
Watching War, Creative Arts Council, Brown University, Providence, USA
Exhibition, La Générale, Paris

2006
Adrian Piper, Éric Baudelaire, Josephine Meckseper, Wayne Gonzales, Elizabeth Dee Gallery, NY
FILMOGRAPHY · FESTIVALS

A Flower in the Mouth, 70 minutes, 2021

The Glove, 8 minutes, 2020

Un film dramatique, 114 minutes, 2019

Locarno Film Festival
Toronto International Film Festival
New York Film Festival
Viennale
DocLisboa
Ji.Hlava
Indie Memphis – Public Award
Seville European Film Festival 
Jeonju International Film Festival
Mar del Plata
Filmmaker Festival Milano
Punto de Vista Pamplona – Grand Prize International Competiton

Walked the way Home, 26 minutes, 2018

FID Marseille
New York Film Festival
Jeonju International Film Festival

Also Known as Jihadi, 99 minutes, 2017

FID Marseille
Festival dei Popoli –  Best Documentary, International Competition
DocLisboa
Ji.hlava
Festival Filmer à tout prix, Brussels
RIDM Montréal
Mar del Plata
Pravo Ljudski Film Festival Sarajevo
UNDOX-festival
Transmediale, Berlin
!f İstanbul Independent Film Festival
Dokumentarfilmwoche Hamburg
FICUNAM
Festival Internacional de Cine de Murcia
Jeonju International Film Festival
Taiwan International Documentary Film
Filmadrid

Letters to Max, 103 minutes, 2014

FID Marseille
Toronto International Film Festival
New York Film Festival
BFI London International Film Festival
RIDM Montréal – Editing Prize
DocLisboa – Special Jury Prize 
Festival de Belfort
Porto/Post/Doc – Grand Prize
CPH:DOX
International Film Festival Rotterdam
Punto de Vista Pamplona
BAFICI – Best Feature Film, Vanguardia y Género

The Ugly One, 101 minutes, 2013

Locarno Film Festival 
DocLisboa
Dubai International Film Festival
Rotterdam International Film Festival 
Courtisane Festival Ghent

The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 Years without Images, 66 minutes, 2011

FID Marseille
52nd Festival dei Popoli
Festival International du Film de La-Roche-sur-Yon
Festival de Belfort
Punto de Vista, Pamplona 
DocLisboa – Special Jury Prize
CPH:DOX
Migrating Forms New York 
San Francisco International Film Festival
BAFICI
Dokumentarfilmwoche Hamburg 
Courtisane Festival Ghent
FICUNAM
International Film Festival Rotterdam

The Makes, 26 minutes, 2010

International Film Festival Rotterdam

[sic], 15 minutes, 2009

International Film Festival Rotterdam
Migrating Forms NYC
Courtisane Festival Ghent

Sugar Water, 72 minutes, 2007
BOOKS

The Music of Ramón Raquello and his Orchestra & Other Stories
Witte de With [formerly known as], 2017

Anabases
Homay King, Morad Montazami, J.P. Rehm, Pierre Zaoui, Archive Books, 2014

Letters to Max
Poulet-Malassis Press, 2014

The Makes
Le Bal/Centre national des arts plastiques, 2010

Sugar Water
Onestar Press, Paris, 2010

Site Displacement・Déplacement de Site
Archibooks, Paris, 2008

Imagined States・États imaginés
Actes Sud/Fondation HSBC pour la Photographie, Arles, 2005


SELECTED BIBLIOGRAPHY

Claire Allouche, Alice Leroy, Claire Atherton, chemin faisant, Les Cahiers du Cinéma, février  2021, n°273 (p. 96)

Jill Murphy, Laura Rascaroli (eds), Theorizing Films Through Contemporary Art – Expanding Cinema, Amsterdam University Press, 2020 (pp. 41, 213, 221-2, 226-7)
Michel Poivert, 50 ans de Photographie Française de 1970 à nos jours, 2020 (pp. 309, 323)
Malvina Borgherini, “Mirroring in a Movie: Or on Community Feeling Taking Shape in Vittorio de Seta and Éric Baudelaire”, On Responsibility: The Moving Image Questions Spectatorship, ed. Lorenzo Lazzari, 2020

Sylvain Bourmeau, Il n’y a pas un monde de l’art, il y en a plein, AOC, 2019
Éric Baudelaire, Les pneus crevés du fleuriste. Recherche en cours pour l’écriture d’un film, A/R, n°02, 2019

Leo Goldsmith, On the 2018 FID Marseille, Artforum, July 6, 2018
Hyeseon Jeong, Landscape, for trying (not) to understand: Conversation with Éric Baudelaire, OKULO, n°6, 2018 (p.79-119)
Celluloid Liberation Front, Realities in progress: Four Highlights of Cinéma du Réel 2018, BFI - Sights & Sounds, May 11, 2018

Negar Azimi, After the Fact, Frieze Magazine, October 15, 2017
Luc Chessel, Éric Baudelaire dans les ornières d'un jihadiste, Libération, September 10, 2017
Sophie Rahal, À Beaubourg, Baudelaire s'attaque au djihad, Télérama, September 6, 2017
Jean-Marie Durand, "Après" d’Éric Baudelaire au Centre Pompidou : un art des temps violents, Les Inrockuptibles, September 1, 2017
Ludovic Lamant, Éric Baudelaire: “Face au terrorisme, je regarde les structures et le contexte,” Mediapart, August 28, 2017
James Scarborough, The Banality of Conversion: “Also Known as Jihadi,” directed by Éric Baudelaire, Huffington Post, June 18, 2017
Benoit Rossel, Éric Baudelaire, BOMB, n°140, summer 2017
Louis Blanchot et Jérôme Momcilovic, FID 2017: Pays(ages) hantés, Chronicart, August 17, 2017
Peio Aguirre, La verdad como ensayo, El Pais, August 15, 2017
Erika Balsom, The Reality-Based Community, e-flux journal, n°83, June, 2017
Erika Balsom, Polyphonic Worlds, Contour Biennale 8 – Review, Ibraaz, May 8, 2017
Mengna Da, Surveying Landscapes for Clues to Political Violence, Hyperallergic, April 14, 2017
Colin Perry, Contour Biennale 8. Polyphonic Worlds: Justice as Medium, art agenda, April 6, 2017
Fabrice Lauterjung, Éric Baudelaire: “The Music of Ramon Raquello and his Orchestra” – Review, Zero Deux, n°81, 2017
Jens Maier-Rothe, Éric Baudelaire: The Music of Ramon Raquello and his Orchestra – Review, Camera Austria, n°137, 2017
Yamina Benaï, A Form That Accomodates the Mess, L'Officiel Art, n°21, March-April-May 2017
Door Nanda Janssen, Inzicht is een overwinning op geweld, Metropolis M, 2017
Anna Gritz, Empathy and Contradictions: Éric Baudelaire, Mousse Magazine, n°57, 2017
Laurie Cluitmans, Critic’s Guide: Rotterdam, Frieze.com, February 14, 2017
Mitch Speed, Review: Éric Baudelaire, Galerie Barbara Wien, Berlin, Frieze.com, January 11, 2017
Andrea Picard, News from Anywhere, Nowhere, Home: Notes on the BNLMTL, Cinema Scope, n°69, 2017
James Oscar, La Biennale de Montréal : Le Grand Balcon at the Musée d’Art Contemporain de Montréal, Daily Serving Montreal, January 3, 2017

Mélanie Mermod, The Mysterious Muse: 27 Years Without Images, LEAP Magazine, n°39, 2016

Homay King, Virtual Memory: Time-Based Art and The Dream of Digitality, Duke University Press, 2015 (pp. 128-134)
Necati Sönmez, Tokyo’dan Beyrut’a Bir Sinema Yolculugu, Ziba Mag, n°1, December 2015
Anthony Downey, Event Horizon, Ibraaz, October 29, 2015
Jordan Cronk, In Praise Of Éric Baudelaire, Little White Lies, October 22, 2015
Marco Scotini and Elisabetta Galasso (eds), Politics of Memory, Documents and Archive, Archive Books, 2015 (pp. 143-150)
Ruben Coll, “Letters to Max”: An interview with Éric Baudelaire (podcast), Museo Reina Sofia Radio, October 14, 2015
Jens Hoffmann, The Politics of Art (A conversation between Jens Hoffmann, Éric Baudelaire, Nina Beier, Maryam Jafri, Naeem Mohaiemen, and Pratchaya Phinthong), Mousse magazine, n°50, October - November 2015
Charlotte Keeys, “Letters to Max” review, Little White Lies, October 2, 2015
Maya Caspari, Letters and Liminal Spaces: An Interview with Éric Baudelaire, ICA blog, September 30, 2015
Jen Kratochvil, Éric Baudelaire: That Bowling Alley over the Heterotopia, Fotograf Magazine, n°26 (documentary strategies), 2015
Nick Pinkerton, Letters to Max, Sight & Sound, November 2015
Naeem Mohaiemen, All That is Certain Vanishes Into Air, e-flux journal, n°63, 2015
Anna Gritz, Appearance Acts, LUX, New Artist Focus, April 13, 2015
Max Nelson, Interview: Eric Baudelaire, Film Comment, Feb 24, 2015

Ellen Mara De Wachter, Changed States: Collaboration and conflict in the work of Éric BaudelaireFrieze Magazine, n°164, June-August 2014
Guillaume Désanges, Performing the Document: New Political Theatricalities, ESSE, n°81, 2014
Spring Agnieszka Gratza, You’ve Got Mail, artforum.com, March 20, 2014
Adam Kleinman, Éric Baudelaire’s “The Anabasis” & “The Ugly One”, Art Agenda, January 13, 2014
Claire Moulène, Lettres d’amour en Abkhazie, Les Inrockuptibles n° 950, February 12-18, 2014
Rasmus Hungnes, Lengselen etter Abkhasia, Kunstkritikk, March 2, 2014
Nicolas Giraud, The Secessions Sessions, Zérodeux, n°69, Printemps 2014
Marc Lénot, L’action se passe en Abkhazie, c’est-à-dire nulle part, Slate.fr, 17 février 2014
Léo Goldsmith, Against the Present, selection from FID Marseille, The Brooklyn Rail, September 4, 2014
Ludovic Lamant, Abkhazie, mon amie, Mediapart, 10 Août 2014
Étienne Hatt, Éric Baudelaire, “Unfinished Business”, Artpress, n°414, Sept. 2014
Léo Goldsmith, Letters to Max, Cinema Scope, n°61, 2014
Jorge Mourinha, Éric Baudelaire filma o diplomata do país que não existe, El Publico, October 26, 2014
Maria Moseng, Found Letters and Lost Images, Wuxia, n°1, February 2014

Kaelen Wilson-Goldie, Epic Images: Narrative, Form and Metaphor in The Anabasis, Camera Austria, n°123, 2013
Bruno Icher, Locarno, palmarès sans tache, Libération, 18 août 2013
Jorge Mourinha, Para Éric Baudelaire e Masao Adachi, Beirute esqueceu as suas lágrimas, Público, November 2, 2013
Jim Quilty, A dirge to love and militancy, The Daily Star Lebanon, December 12, 2013
Kaelen Wilson-Goldie, Éric Baudelaire, Artforum, Summer 2013

Homay King, Anabasis, October, n°142, Fall 2012
Nicole Yip, Éric Baudelaire, Frieze online, June 6, 2012
Jorge Mourinha, Entre a memória e o arrependimento da militância revolucionária, Público, October 23,  2012
Nicholas Warner, Éric Baudelaire, Art Monthly n°357, June 2012
Dennis Lim, A Japanese Director's Path to Revolution, The New York Times, February 28, 2012

Morad Montazami, La scriptologie: science des œuvres à venir, ∆⅄⎈, n°1, 2011
Serge Kaganski, Belfort au-delà du réel, Les Inrockuptibles, December 14, 2011
Pierre Zaoui, Anabasis of Terror : Trying (Not) to Understand, CAC Synagogue de Delme, 2011
Raphaël Brunel, Éric Baudelaire, Histoire d’Image, Zero Deux, n°59, Autumn 2011
Cristina Piccino, Fusaku che guidava l’Armata rossa, Il Manifesto, July 13, 2011

Paul Foss, Éric Baudelaire, Hammer Museum, Art US, October 2010
TJ Carlin, A Vernacular of Violence, Time Out New York, June 2010
Tyler Coburn, A Vernacular of Violence, Art Agenda, June 2010
Michel Poivert, “Image d’Histoire ?” La Photographie Contemporaine, Ed. Flammarion, 2010

Dominique Baqué, Still Images for Rethinking the World, ArtPress, n°350, Nov. 2008
Tan Lin, Éric Baudelaire's “Sugar Water”, the Deleuzean Event, and the Dispersion of Spectatorial Labour, Reading Room, n°02, 2008
Guillaume Désanges, Éric Baudelaire à la Tôlerie à Clermont-Ferrand, Archistorm, n°29, 2008

Claire Gilman, Éric Baudelaire, Frieze Magazine, n°111, November - December 2007
Erik Verhagen, 10e Mois de la Photo à Montréal, ArtPress, n°339, November 2007
David Velasco, Éric Baudelaire at Elizabeth Dee Gallery, Artforum, September 2007
Morgan Falconer, On Éric Baudelaire At Elizabeth Dee Gallery, Saatchi Online, July 17, 2007
Regis Durand, L’Impératif Documentaire, Photographie Aujourd’hui, Beaux Arts Éditions, 2007 
Jean-Marie Wynants, Le réel réinvente la fiction, Le Soir, 25 avril 2007
Rocío de la Villa, Éric Baudelaire y la lógica del cliché, El Cultural, March 2007

Christopher Bollen, Adrian Piper, Wayne Gonzales, Éric Baudelaire, Josephine MeckseperThe New York Times, December 8, 2006
Pierre Zaoui, La fresque aux icônes, Vacarme, n°37 Autumn 2006
Michel Poivert, Théâtre des dernières guerres, Vacarme, n°37, Autumn 2006 
Jean-Marc Bodson, Dans la fabrique des mythes, La Libre Belgique, September 11, 2006
Natacha Wolinski, Théatre de guerre, Beaux Arts Magazine, September, 2006
Edouard Launet, Les faux-semblants de Baudelaire, Libération, September 7, 2006

Michel Poivert, “Forme de l’utopie”, Éric Baudelaire, États Imaginés, Ed. Actes Sud, 2005
Yasmine Youssi, Éric Baudelaire : L’Architecture comme métaphore de l’état, d’A, December 2005 
Sylvie Lambert, Éric Baudelaire : “États imaginés”, Les Inrockuptibles, 19-25 October2005
Jan Krauze, Les fantômes de l’Abkhazie, Le Monde 2, 17-23 September 2005
Claire Guillot, L’État imaginé d’Éric Baudelaire, Le Monde, 17 September 2005
Frédérique Fanchette, L’État de mes rêves, Libération, 14 September 2005
Frédérique Chapuis, Bons baisers d’Abkhazie, Télérama, 14-20 September 2005
Dov Lynch, État Imaginé, Vacarme, n°30, 2005
SITE CREDITS
Design and editorial direction by Pierre-François Letué on Cargo
Photographs by Nick Ash, Kristien Daem, Marc Domage, Achim Hatzius, Claire Lavabre, Roman Maerz, Philippe Migeat, Daniele Molajoli, Aurélien Mole, Miriam O'Connor, Émile Ouroumov, Bertrand Prévost, Philipps de Pury, Lupi Spuma and Jens Ziehe.