https://baudelaire.net ÉB Fri, 15 Mar 2024 11:27:11 +0000 https://baudelaire.net en https://baudelaire.net/MAKE-DO-WITH Tue, 29 Nov 2022 09:15:21 +0000 ÉB https://baudelaire.net/MAKE-DO-WITH <img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/976fe2a8cc96184a85476322608e5d24e007215b7cc6f1a2cdf9dfbfd295e127/IMG_5908-PM.jpg" data-mid="160491627" border="0" src="https://freight.cargo.site/w/1000/i/976fe2a8cc96184a85476322608e5d24e007215b7cc6f1a2cdf9dfbfd295e127/IMG_5908-PM.jpg" /> MAKE, DO, WITH — FAIRE AVECA forthcoming book distributed by Les presses du réel&nbsp; 16 × 24 cm,&nbsp;152 pagesParaguay Press, English or French, 2022Éric Baudelaire’s films are partly made with the people whose experiences they explore — revolutionary filmmakers and activists, teenagers, secessionists, and terrorists, all of whom have defied state institutions that assert the right to define reality. Their lives, their ethical choices, and their relationship to images are the exemplary materials of a cinema that rethinks the documentary form, and of an artistic practice that expands the films into broader display formats. Conceived as collective experiments, Baudelaire’s exhibitions include other works and archival documents stemming from his research and his exchanges with the protagonists, but they also feature productions by fellow artists and filmmakers, as well as contributions by a temporary community of guests who, in public conversations, expand the discussion beyond the field of art. The same spirit imbues this book. In MAKE, DO, WITH — FAIRE AVEC, Erika Balsom and Marcella Lista trace the connection between those two&nbsp;fields of experience — films and exhibitions — in two&nbsp;texts that are themselves part of a long-term dialogue between the&nbsp;artist and the &nbsp;two authors: since 2015 with Marcella Lista, in&nbsp;the&nbsp;run‑up to the&nbsp;exhibition Après, which they co-curated at the Centre Pompidou; and with Erika Balsom, whose text, republished here, inspired their first meeting: The Reality-Based Community (2017), a vital essay that reconsiders the value of observational cinema today. Erika Balsom is Reader in Film Studies at King’s College London. She is the author of After Uniqueness: A History of&nbsp;Film and Video Art in Circulation (Columbia University Press, 2017) and TEN SKIES (Fireflies Press, 2021). Her criticism appears regularly in publications such as Artforum, Cinema Scope, and 4Columns. With Hila Peleg, she is the co-curator of the exhibition No Master Territories: Feminist Worldmaking and the Moving Image (HKW Berlin, 2022) and co-editor of the books Feminist Worldmaking and the Moving Image (2022) and Documentary Across Disciplines (2016), both published by MIT Press. Marcella Lista is an art historian, and chief curator of&nbsp;the Video, Sound, and New Media collection at the Musée national d’art moderne – Centre George Pompidou. Previously, she was in charge of the contemporary art program at the Musée du&nbsp;Louvre, Paris. In 2017,&nbsp;she curated the exhibition Après with Éric Baudelaire at the Centre Pompidou, and has worked over the past few years with Bill Fontana, Saodat Ismailova, Hassan Khan, La Ribot, Jill Magid, Hito&nbsp;Steyerl, and Martha Wilson. https://baudelaire.net/WHAT-Introduction Fri, 15 Mar 2024 10:41:34 +0000 ÉB https://baudelaire.net/WHAT-Introduction <img width="1200" height="966" width_o="1200" height_o="966" data-src="https://freight.cargo.site/t/original/i/8dc650791f6db81fc3e8ad7b0cc01a58db968de7f8debb9b42c5e7e2eb06dfd9/Tycho2-gigapixel-hq-scale-2_00x.jpg" data-mid="206840637" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/8dc650791f6db81fc3e8ad7b0cc01a58db968de7f8debb9b42c5e7e2eb06dfd9/Tycho2-gigapixel-hq-scale-2_00x.jpg" /> Derived from τύχη, Greek for chance, a tychoscope is a device that “witnesses chance.” Invented in the 1970s to investigate telekinesis, the speculative ability to influence or move objects using the power of one’s mind, this tin-can sized robot draws random patterns on paper. In laboratory experiments, human participants were instructed to “bring the tychoscope towards them with their thoughts.” The tychoscope drawings were then analysed to determine if they deviated from pure statistical randomness in comparison to control sessions drawn by tychoscopes with no human subjects in the room. The hypothesis was that any measurable deviation from chance would demonstrate the existence of telekinetic phenomena. At the age of seven, Éric Baudelaire participated in tychoscope experiments conducted in the Trasbior laboratory, overseen by his mother, Isabelle Baudelaire, within the French industrial conglomerate CGE. The company aimed to perform a statistical analysis on a sample of 1,000 experiments, but was nationalised in 1981, leading to the laboratory’s closure after only 215 sessions. In 2020, Éric began exploring his family’s history of parapsychological research, including his great-grandfather’s pioneering studies in telepathy and clairvoyance and created a contemporary replica of the original 1975 tychoscope. The project “What It Is Of” resurrects the Trasbior protocol, inviting visitors to engage in tychoscope sessions. After participants have spent 25 minutes seeking to influence the course of the robot’s movement with their consciousness, a control session is carried out. The resulting drawings become part of the exhibition and are displayed side by side throughout the gallery, contrasting the drawings that may or may not have been influenced by the participants’ thoughts with the control-session drawings created without a subject present. The drawings created in the context of this exhibition are archived alongside materials from previous renditions of the project, contributing to an ever-expanding collection that delves into the interplay of mind and matter while probing notions of randomness and belief. With the aim of achieving a much larger sample size than the prematurely-cancelled original experiment, the cumulative archive of drawings, along with a protocol for their display and further experiments, constitutes the work “What It Is Of.” Download the exhibition libretto ︎︎︎ https://baudelaire.net/WHAT-Brest Fri, 15 Mar 2024 11:16:19 +0000 ÉB https://baudelaire.net/WHAT-Brest What It Is Of June 16–September 16, 2023 Passerelle Centre d’art contemporain, Brest <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/7d9c72418936e7053f5811e594e82c8cf57d20fb20b2c7ee48a4b3d26c3fd2f8/EB---What-It-Is-Of---CAC-Passerelle---2--Aurelien-Mole.jpg" data-mid="207118631" border="0" src="https://freight.cargo.site/w/1000/i/7d9c72418936e7053f5811e594e82c8cf57d20fb20b2c7ee48a4b3d26c3fd2f8/EB---What-It-Is-Of---CAC-Passerelle---2--Aurelien-Mole.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/2f2eeb3cffbd42f6a9862d8a43eea151ca98d4f93f79e1ba24b7188ab89fdb1a/EB---What-It-Is-Of---CAC-Passerelle---10--Aurelien-Mole.jpg" data-mid="207118575" border="0" src="https://freight.cargo.site/w/1000/i/2f2eeb3cffbd42f6a9862d8a43eea151ca98d4f93f79e1ba24b7188ab89fdb1a/EB---What-It-Is-Of---CAC-Passerelle---10--Aurelien-Mole.jpg" /> <img width="799" height="1200" width_o="799" height_o="1200" data-src="https://freight.cargo.site/t/original/i/54778c23dcae70bff2fab073e589e54ab2dcc77db1bf3c59e4944cbb9d7c987b/EB---What-It-Is-Of---CAC-Passerelle---20--Aurelien-Mole.jpg" data-mid="207118581" border="0" src="https://freight.cargo.site/w/799/i/54778c23dcae70bff2fab073e589e54ab2dcc77db1bf3c59e4944cbb9d7c987b/EB---What-It-Is-Of---CAC-Passerelle---20--Aurelien-Mole.jpg" /> <img width="799" height="1200" width_o="799" height_o="1200" data-src="https://freight.cargo.site/t/original/i/36c027667d63d62a2ce25d01c428e6e8d35bc80cf8bdc5c74cacd66584c0ff0f/EB---What-It-Is-Of---CAC-Passerelle---15--Aurelien-Mole.jpg" data-mid="207118583" border="0" src="https://freight.cargo.site/w/799/i/36c027667d63d62a2ce25d01c428e6e8d35bc80cf8bdc5c74cacd66584c0ff0f/EB---What-It-Is-Of---CAC-Passerelle---15--Aurelien-Mole.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/79e6f58a6ef8c7d9cfbefcd3db3b1db6f4845fe8b4b7105741335702e3c6b1aa/EB---What-It-Is-Of---CAC-Passerelle---48--Aurelien-Mole.jpg" data-mid="207118587" border="0" src="https://freight.cargo.site/w/1000/i/79e6f58a6ef8c7d9cfbefcd3db3b1db6f4845fe8b4b7105741335702e3c6b1aa/EB---What-It-Is-Of---CAC-Passerelle---48--Aurelien-Mole.jpg" /> <img width="799" height="1200" width_o="799" height_o="1200" data-src="https://freight.cargo.site/t/original/i/e5e4b264dc587a36c770508a21d5f1fd1da099e4bbb956904195f37c8ec146be/EB---What-It-Is-Of---CAC-Passerelle---25--Aurelien-Mole.jpg" data-mid="207118670" border="0" src="https://freight.cargo.site/w/799/i/e5e4b264dc587a36c770508a21d5f1fd1da099e4bbb956904195f37c8ec146be/EB---What-It-Is-Of---CAC-Passerelle---25--Aurelien-Mole.jpg" /> <img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/c518643eb477778fd2578717d43e945d6fb8153ecbf85b42217cc50ab450ff16/EB---What-It-Is-Of---CAC-Passerelle---6--Aurelien-Mole.jpg" data-mid="207118672" border="0" src="https://freight.cargo.site/w/800/i/c518643eb477778fd2578717d43e945d6fb8153ecbf85b42217cc50ab450ff16/EB---What-It-Is-Of---CAC-Passerelle---6--Aurelien-Mole.jpg" /> <img width="799" height="1200" width_o="799" height_o="1200" data-src="https://freight.cargo.site/t/original/i/6eb8e8c9dbf1256b67a22f1fa9172c3aa14cc4011f08ce324349bd7489d8b7f6/EB---What-It-Is-Of---CAC-Passerelle---34--Aurelien-Mole.jpg" data-mid="207118678" border="0" src="https://freight.cargo.site/w/799/i/6eb8e8c9dbf1256b67a22f1fa9172c3aa14cc4011f08ce324349bd7489d8b7f6/EB---What-It-Is-Of---CAC-Passerelle---34--Aurelien-Mole.jpg" /> <img width="799" height="1200" width_o="799" height_o="1200" data-src="https://freight.cargo.site/t/original/i/bd707de6421df8ceb59329904d7ce45f774eeabadfd4844abd172b3bb003a1ec/EB---What-It-Is-Of---CAC-Passerelle---28--Aurelien-Mole.jpg" data-mid="207118681" border="0" src="https://freight.cargo.site/w/799/i/bd707de6421df8ceb59329904d7ce45f774eeabadfd4844abd172b3bb003a1ec/EB---What-It-Is-Of---CAC-Passerelle---28--Aurelien-Mole.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/8203cc23ac17fe4f1bdf2ad8561fa004ac4e2e84d5fbda5666aad1155b5e257a/EB---What-It-Is-Of---CAC-Passerelle---51--Aurelien-Mole.jpg" data-mid="207118567" border="0" src="https://freight.cargo.site/w/1000/i/8203cc23ac17fe4f1bdf2ad8561fa004ac4e2e84d5fbda5666aad1155b5e257a/EB---What-It-Is-Of---CAC-Passerelle---51--Aurelien-Mole.jpg" /> https://baudelaire.net/WHAT-Berlin Fri, 15 Mar 2024 11:11:59 +0000 ÉB https://baudelaire.net/WHAT-Berlin What It Is OfNovember 17, 2023–February 10, 2024 Barbara Wien gallery, Berlin <img width="1200" height="900" width_o="1200" height_o="900" data-src="https://freight.cargo.site/t/original/i/1971fa000a3adccb668c6def574d7c2958b6a39e1a6075b2989da19cfcd83fc5/EB---What-It-Is-Of---Barbara-Wien---23-sm--Nick-Ash.jpg" data-mid="207120102" border="0" src="https://freight.cargo.site/w/1000/i/1971fa000a3adccb668c6def574d7c2958b6a39e1a6075b2989da19cfcd83fc5/EB---What-It-Is-Of---Barbara-Wien---23-sm--Nick-Ash.jpg" /> <img width="1200" height="900" width_o="1200" height_o="900" data-src="https://freight.cargo.site/t/original/i/33f0679a0bd1ce33d192a6eca42d8712e53d52edc713be6ac7ed9589fd01ec14/EB---What-It-Is-Of---Barbara-Wien---1-sm--Nick-Ash.jpg" data-mid="207120104" border="0" src="https://freight.cargo.site/w/1000/i/33f0679a0bd1ce33d192a6eca42d8712e53d52edc713be6ac7ed9589fd01ec14/EB---What-It-Is-Of---Barbara-Wien---1-sm--Nick-Ash.jpg" /> <img width="1200" height="900" width_o="1200" height_o="900" data-src="https://freight.cargo.site/t/original/i/bd3af83113c503c20bb20f87be72079f9ad48e69bf9d59a035e2e5254ee606f5/EB---What-It-Is-Of---Barbara-Wien---6-sm--Nick-Ash.jpg" data-mid="207120105" border="0" src="https://freight.cargo.site/w/1000/i/bd3af83113c503c20bb20f87be72079f9ad48e69bf9d59a035e2e5254ee606f5/EB---What-It-Is-Of---Barbara-Wien---6-sm--Nick-Ash.jpg" /> <img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/719202f87fa35329693604a91d608203fb6d0625fafade73332626418bed7f10/EB---What-It-Is-Of---Barbara-Wien---26-sm--Nick-Ash.jpg" data-mid="207120110" border="0" src="https://freight.cargo.site/w/900/i/719202f87fa35329693604a91d608203fb6d0625fafade73332626418bed7f10/EB---What-It-Is-Of---Barbara-Wien---26-sm--Nick-Ash.jpg" /> <img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/085d3e6c6650298bb9769aa9ace1351df82253d15218fa318afe964a52cd68af/EB---What-It-Is-Of---Barbara-Wien---9-sm--Nick-Ash.jpg" data-mid="207120111" border="0" src="https://freight.cargo.site/w/900/i/085d3e6c6650298bb9769aa9ace1351df82253d15218fa318afe964a52cd68af/EB---What-It-Is-Of---Barbara-Wien---9-sm--Nick-Ash.jpg" /> https://baudelaire.net/Tychoscope-Portraits Fri, 15 Mar 2024 11:23:19 +0000 ÉB https://baudelaire.net/Tychoscope-Portraits <img width="1200" height="900" width_o="1200" height_o="900" data-src="https://freight.cargo.site/t/original/i/db3849a0c7361e27841494079744c0a90bfa9f59f81494e0e62353458a50741a/EB---What-It-Is-Of---Barbara-Wien---5-sm--Nick-Ash---crop.jpg" data-mid="207021821" border="0" src="https://freight.cargo.site/w/1000/i/db3849a0c7361e27841494079744c0a90bfa9f59f81494e0e62353458a50741a/EB---What-It-Is-Of---Barbara-Wien---5-sm--Nick-Ash---crop.jpg" /> Tychoscope Portraits are unique works on paper consisting of a pair of tychoscope drawings juxtaposed in a single frame. They are created following the same protocol as the experiments conducted as part of the “What It Is Of” sessions, but the sessions are longer, lasting 40 min. Alluding to the structure of a Rorschach test, the direct opposition of the two drawings allows for speculation about the parapsychological faculties of the portrayed individuals. <img width="881" height="1200" width_o="881" height_o="1200" data-src="https://freight.cargo.site/t/original/i/f209affc90312ffe8d0b0ade8efed7afd0fd65d2012466a2583d16d52b54891c/EB---What-It-Is-Of---Barbara-Wien---20-sm--Nick-Ash.jpg" data-mid="207117848" border="0" src="https://freight.cargo.site/w/881/i/f209affc90312ffe8d0b0ade8efed7afd0fd65d2012466a2583d16d52b54891c/EB---What-It-Is-Of---Barbara-Wien---20-sm--Nick-Ash.jpg" /> Tychoscope Portrait (Éric Baudelaire) 2023 2 tychoscope drawings on Hahnemühle Watercolor 300 g. 76 × 56 cm each <img width="881" height="1200" width_o="881" height_o="1200" data-src="https://freight.cargo.site/t/original/i/b533a700d5b34a174ad4db23c16fd67389792567ee37c49b17bc382209fa4f30/EB---What-It-Is-Of---Barbara-Wien---21-sm--Nick-Ash.jpg" data-mid="207117966" border="0" src="https://freight.cargo.site/w/881/i/b533a700d5b34a174ad4db23c16fd67389792567ee37c49b17bc382209fa4f30/EB---What-It-Is-Of---Barbara-Wien---21-sm--Nick-Ash.jpg" /> Tychoscope Portrait (Jibril Baudelaire) 20232 tychoscope drawings on Hahnemühle Watercolor 300 g.76 × 56 cm each https://baudelaire.net/Tychoscope-Etchings Fri, 15 Mar 2024 11:27:11 +0000 ÉB https://baudelaire.net/Tychoscope-Etchings <img width="1200" height="900" width_o="1200" height_o="900" data-src="https://freight.cargo.site/t/original/i/e671f7e70fcf90dd08e8585006598f518c84a269ea1adcfeeccde5f5903af243/EB---What-It-Is-Of---Barbara-Wien---3-sm--Nick-Ash---crop.jpg" data-mid="207021832" border="0" src="https://freight.cargo.site/w/1000/i/e671f7e70fcf90dd08e8585006598f518c84a269ea1adcfeeccde5f5903af243/EB---What-It-Is-Of---Barbara-Wien---3-sm--Nick-Ash---crop.jpg" /> Tychoscope Etchings is a series of prints made with found copper plates whose surfaces bear the marks of time, producing unpredictable background textures and motifs. Over eight consecutive days, Éric Baudelaire engraved plates using a customised tychoscope equipped with a dry etching tip. Each engraving is named after the day of the week on which it was made, layering the random textures from the original copper plate with the pattern etched by the tychoscope. During the sessions, the artist sought to influence the robot’s movements with his thoughts to generate a formal interplay from these two sets of patterns. <img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/49fe9b73139cb520a768cff5a998e59b230624ebb90b94fe3199f18809c8ba17/EB---What-It-Is-Of---Barbara-Wien---19--Nick-Ash.jpg" data-mid="207118172" border="0" src="https://freight.cargo.site/w/900/i/49fe9b73139cb520a768cff5a998e59b230624ebb90b94fe3199f18809c8ba17/EB---What-It-Is-Of---Barbara-Wien---19--Nick-Ash.jpg" /> <img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/21581ada729d4779a75349e6e6a11e774f2e012f8ecb6cd237dd1f7b583d0738/EB---What-It-Is-Of---Barbara-Wien---16--Nick-Ash.jpg" data-mid="207118173" border="0" src="https://freight.cargo.site/w/900/i/21581ada729d4779a75349e6e6a11e774f2e012f8ecb6cd237dd1f7b583d0738/EB---What-It-Is-Of---Barbara-Wien---16--Nick-Ash.jpg" /> <img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/6bc1566bc6c92553cf0777745363ddb3908c0d0213038afa2892eb15b624d4fe/EB---What-It-Is-Of---Barbara-Wien---14--Nick-Ash.jpg" data-mid="207118175" border="0" src="https://freight.cargo.site/w/900/i/6bc1566bc6c92553cf0777745363ddb3908c0d0213038afa2892eb15b624d4fe/EB---What-It-Is-Of---Barbara-Wien---14--Nick-Ash.jpg" /> <img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/6559e35bec00205e641ec71c5b4d9664f74de571ae3f762c8aa00b7af378bd12/EB---What-It-Is-Of---Barbara-Wien---12--Nick-Ash.jpg" data-mid="207118176" border="0" src="https://freight.cargo.site/w/900/i/6559e35bec00205e641ec71c5b4d9664f74de571ae3f762c8aa00b7af378bd12/EB---What-It-Is-Of---Barbara-Wien---12--Nick-Ash.jpg" /> <img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/28c8bde2e8223ef94f5305aa02c2e0ae3a7bf192518bef93f5394fd043378bfb/EB---What-It-Is-Of---Barbara-Wien---13--Nick-Ash.jpg" data-mid="207118177" border="0" src="https://freight.cargo.site/w/900/i/28c8bde2e8223ef94f5305aa02c2e0ae3a7bf192518bef93f5394fd043378bfb/EB---What-It-Is-Of---Barbara-Wien---13--Nick-Ash.jpg" /> <img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/0dd4c7c4cc735b04b036095608f5203dd8d1c74a0a42533d0d557c83539c75f3/EB---What-It-Is-Of---Barbara-Wien---15--Nick-Ash.jpg" data-mid="207118178" border="0" src="https://freight.cargo.site/w/900/i/0dd4c7c4cc735b04b036095608f5203dd8d1c74a0a42533d0d557c83539c75f3/EB---What-It-Is-Of---Barbara-Wien---15--Nick-Ash.jpg" /> <img width="892" height="1200" width_o="892" height_o="1200" data-src="https://freight.cargo.site/t/original/i/dcb401e8859eee2bea147cdeb3fae57b9b8c8e5afee534a11e1cf754ecd145b9/EB---What-It-Is-Of---Barbara-Wien---17--Nick-Ash.jpg" data-mid="207118179" border="0" src="https://freight.cargo.site/w/892/i/dcb401e8859eee2bea147cdeb3fae57b9b8c8e5afee534a11e1cf754ecd145b9/EB---What-It-Is-Of---Barbara-Wien---17--Nick-Ash.jpg" /> <img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/af07b26af29814c0d52f2830df9b9e489634487f632005e8a73ce0607e516883/EB---What-It-Is-Of---Barbara-Wien---18--Nick-Ash.jpg" data-mid="207118180" border="0" src="https://freight.cargo.site/w/900/i/af07b26af29814c0d52f2830df9b9e489634487f632005e8a73ce0607e516883/EB---What-It-Is-Of---Barbara-Wien---18--Nick-Ash.jpg" /> Tychoscope Etchings (Monday, Tuesday, Wednesday, Thursday, Friday, Saturday, Sunday, Monday Again) 2023 8 etchings on BFK Rives paper 250 g. 50 × 65 cm, each Edition of 5 + 1 AP https://baudelaire.net/When-Film Tue, 29 Nov 2022 08:57:57 +0000 ÉB https://baudelaire.net/When-Film <img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/aa7a5f7ab5875c17cbdd1cdf95d4b37bf68b5e42db7d1c751fb9b8e51894edc4/When-There-Is-No-More-Music-To-Write-1---PM.jpg" data-mid="160487950" border="0" src="https://freight.cargo.site/w/1000/i/aa7a5f7ab5875c17cbdd1cdf95d4b37bf68b5e42db7d1c751fb9b8e51894edc4/When-There-Is-No-More-Music-To-Write-1---PM.jpg" /> <img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/dfcae5facba6a76c3cf5d674e5c8eeb1323222371a776f9a81dceaf9aa787624/When-There-Is-No-More-Music-To-Write-2---PM.jpg" data-mid="160487951" border="0" src="https://freight.cargo.site/w/1000/i/dfcae5facba6a76c3cf5d674e5c8eeb1323222371a776f9a81dceaf9aa787624/When-There-Is-No-More-Music-To-Write-2---PM.jpg" /> <img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/ef28cf48dc3f222c0e03b21404a4b26dc6f0853a452623ff3efbf8688a08bd97/When-There-Is-No-More-Music-To-Write-4---PM.jpg" data-mid="160487952" border="0" src="https://freight.cargo.site/w/1000/i/ef28cf48dc3f222c0e03b21404a4b26dc6f0853a452623ff3efbf8688a08bd97/When-There-Is-No-More-Music-To-Write-4---PM.jpg" /> <img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/b9021e37b88af950d0f67a31c95162e151ced61ed91e8d3f6bd2baf3dcd26553/When-There-Is-No-More-Music-To-Write-6---PM.jpg" data-mid="160487953" border="0" src="https://freight.cargo.site/w/1000/i/b9021e37b88af950d0f67a31c95162e151ced61ed91e8d3f6bd2baf3dcd26553/When-There-Is-No-More-Music-To-Write-6---PM.jpg" /> <img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/f65ce2c38b0be851ae6d94cc8a3ba61a25d400cbd19915ffaa168854130caf3e/When-There-Is-No-More-Music-To-Write-8---PM.jpg" data-mid="160487954" border="0" src="https://freight.cargo.site/w/1000/i/f65ce2c38b0be851ae6d94cc8a3ba61a25d400cbd19915ffaa168854130caf3e/When-There-Is-No-More-Music-To-Write-8---PM.jpg" /> <img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/ab324be8ba671c0abd6b0aa049c33a9a5048f77a130eeaace6a9229120996b98/When-There-Is-No-More-Music-To-Write-9---PM.jpg" data-mid="160487955" border="0" src="https://freight.cargo.site/w/1000/i/ab324be8ba671c0abd6b0aa049c33a9a5048f77a130eeaace6a9229120996b98/When-There-Is-No-More-Music-To-Write-9---PM.jpg" /> <img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/c6c2adcc23202859751fbe71be2767ea075ff1de73097b88e83250e12ef8dadc/When-There-Is-No-More-Music-To-Write-12---PM.jpg" data-mid="160487957" border="0" src="https://freight.cargo.site/w/1000/i/c6c2adcc23202859751fbe71be2767ea075ff1de73097b88e83250e12ef8dadc/When-There-Is-No-More-Music-To-Write-12---PM.jpg" /> Rome, years of lead. Aldo Moro is kidnapped in the fervor of the Red Brigades. The armed struggle is propelled towards a political dead end. Alvin Curran, mythical figure of the musical Avant-Garde, strives to dissolve the figure of the author in the collective. The notion of instruments is extended to natural and everyday objects, producing revolutionary works. <img width="905" height="1280" width_o="905" height_o="1280" data-src="https://freight.cargo.site/t/original/i/cc414869259b9ef7c810e71a59265bbc278ff7cecaf7676907c8b2187da6552e/A1-REE-PM.jpg" data-mid="160484426" border="0" src="https://freight.cargo.site/w/905/i/cc414869259b9ef7c810e71a59265bbc278ff7cecaf7676907c8b2187da6552e/A1-REE-PM.jpg" /> When There Is No More Music to Write, and Other Roman Stories&nbsp;2022 Colour, Stereo, 4:359 minutes Underneath the lengthy title of Éric Baudelaire’s new film, three films are hiding, separated by three credit rolls and three titles (Four Flat Tires, The Lost Score, and When There Is No More Music to Write). They evoke the figure of avant-garde composer Alvin Curran in his relationship to Rome, where he settled in the mid-1960s, and the music he created there, mainly within the famous Musica Elettronica Viva collective. But as the sub-title of the last of these films indicates “of about Alvin Curran”, the project is no less a portrait than a collaboration: Baudelaire’s collaboration with the composer, whom he never films in person, but whose thoughts and sounds he borrows; with his long-time editor, Claire Atherton; and with Maxime Guitton, a researcher involved in the project right from the start and who unearths priceless material. But Baudelaire also draws on Alvin Curran’s collaborations with his own companions, such as the underground filmmaker Annabella Miscuglio, of whom Baudelaire includes several films excerpts; with his city and his times, marked by the kidnapping of Aldo Moro and the revolutionary struggle. For it was in reaction to the discourses on the end of history and to the Years of Lead that Alvin Curran justified a musical art free from scored music and focussed on collaborative and performative processes. And to oppose political deadlocks and death, the cinema of Éric Baudelaire, in league with the oeuvre he documents, plays down the figure of the author and the pretension to an art as a single unit. Three times over the film ends and restarts, with the certainty that by replaying the end, everything can begin again • Antoine Thirion, Cinéma du Réel catalogue https://baudelaire.net/When-Sion Fri, 15 Mar 2024 10:45:15 +0000 ÉB https://baudelaire.net/When-Sion September 16–October 29, 2023 When There Is No More Music to WriteÉric Baudelaire and Alvin CurranBiennale Son, Sion &nbsp; &nbsp;&nbsp; <img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/9eed557c6ded38d039165e4dfc4a292531602966ead29a9660154b450429af22/When-There-Is---Biennale-Son-2023---4.jpeg" data-mid="206865023" border="0" src="https://freight.cargo.site/w/900/i/9eed557c6ded38d039165e4dfc4a292531602966ead29a9660154b450429af22/When-There-Is---Biennale-Son-2023---4.jpeg" /> <img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/65b19b9dcd787acf1730a345cb0697f92964efd63f02b406f6942e41b46f202f/When-There-Is---Biennale-Son-2023---18.jpeg" data-mid="206865055" border="0" src="https://freight.cargo.site/w/900/i/65b19b9dcd787acf1730a345cb0697f92964efd63f02b406f6942e41b46f202f/When-There-Is---Biennale-Son-2023---18.jpeg" /> <img width="8256" height="5504" width_o="8256" height_o="5504" data-src="https://freight.cargo.site/t/original/i/a3f48a31a113cd71d1f1787ca3ae61ae5689f5c2ca9aa810c0a0c231777bd1c2/When-There-Is---Biennale-Son-2023---27_FiNiStudio.jpg" data-mid="208018622" border="0" src="https://freight.cargo.site/w/1000/i/a3f48a31a113cd71d1f1787ca3ae61ae5689f5c2ca9aa810c0a0c231777bd1c2/When-There-Is---Biennale-Son-2023---27_FiNiStudio.jpg" /> <img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/220aadf5a1069bffb639240c46a023265a709cca2bb21f41ce44fbb7dbdee338/When-There-Is---Biennale-Son-2023---12.jpeg" data-mid="206865052" border="0" src="https://freight.cargo.site/w/900/i/220aadf5a1069bffb639240c46a023265a709cca2bb21f41ce44fbb7dbdee338/When-There-Is---Biennale-Son-2023---12.jpeg" /> <img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/a82632b53625c7acf29f17bfe26b581ff41948beec444fbde8555bab453c461b/When-There-Is---Biennale-Son-2023---3.jpeg" data-mid="206865021" border="0" src="https://freight.cargo.site/w/900/i/a82632b53625c7acf29f17bfe26b581ff41948beec444fbde8555bab453c461b/When-There-Is---Biennale-Son-2023---3.jpeg" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/a841668e61bd5c1a42978f80c894bcd6b55271758bceb051c337da58a3eba376/When-There-Is---Biennale-Son-2023---2.jpeg" data-mid="208018378" border="0" src="https://freight.cargo.site/w/1000/i/a841668e61bd5c1a42978f80c894bcd6b55271758bceb051c337da58a3eba376/When-There-Is---Biennale-Son-2023---2.jpeg" /> <img width="7360" height="4912" width_o="7360" height_o="4912" data-src="https://freight.cargo.site/t/original/i/6b3b458be61378fcea98bc4c5c1dc8500b24dcf9cb9e515f6190124864a8de47/When-There-Is---Biennale-Son-2023---23_FiNiStudio.jpg" data-mid="208018587" border="0" src="https://freight.cargo.site/w/1000/i/6b3b458be61378fcea98bc4c5c1dc8500b24dcf9cb9e515f6190124864a8de47/When-There-Is---Biennale-Son-2023---23_FiNiStudio.jpg" /> <img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8f72e520b13a3e2ae4a4c850859b40500ae0afca1a4a2e3ed7eb57a2655ae3d2/When-There-Is---Biennale-Son-2023---20_OlivierLovey.jpg" data-mid="208018496" border="0" src="https://freight.cargo.site/w/1000/i/8f72e520b13a3e2ae4a4c850859b40500ae0afca1a4a2e3ed7eb57a2655ae3d2/When-There-Is---Biennale-Son-2023---20_OlivierLovey.jpg" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/44d0f687aad8e0a1d54ef51942865f578e1a37b61b06c99d89306e56ffe2b5c0/When-There-Is---Biennale-Son-2023---5.jpeg" data-mid="208018780" border="0" src="https://freight.cargo.site/w/1000/i/44d0f687aad8e0a1d54ef51942865f578e1a37b61b06c99d89306e56ffe2b5c0/When-There-Is---Biennale-Son-2023---5.jpeg" /> <img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/6990756594a891aac3e196808662c92e706be7b8ecfd843245977944dc1ed829/202310_BS_EraOra_AlvinCuran_FiNiStud_01.jpg" data-mid="206865019" border="0" src="https://freight.cargo.site/w/800/i/6990756594a891aac3e196808662c92e706be7b8ecfd843245977944dc1ed829/202310_BS_EraOra_AlvinCuran_FiNiStud_01.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/37772b894d875456c52d82f9337932adb2c725e14b5f69abdd26c4bae4d63bce/202310_BS_EraOra_AlvinCuran_FiNiStud_02.jpg" data-mid="206865020" border="0" src="https://freight.cargo.site/w/1000/i/37772b894d875456c52d82f9337932adb2c725e14b5f69abdd26c4bae4d63bce/202310_BS_EraOra_AlvinCuran_FiNiStud_02.jpg" /> <img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/9d23342bb2bbc60ce5ebabb99f8821e6b1c96a223410ebcc7694af479be7af0f/When-There-Is---Biennale-Son-2023---15.jpeg" data-mid="206865054" border="0" src="https://freight.cargo.site/w/900/i/9d23342bb2bbc60ce5ebabb99f8821e6b1c96a223410ebcc7694af479be7af0f/When-There-Is---Biennale-Son-2023---15.jpeg" /> <img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/50d18e4d2766c204cbe16bcad0038ca691eb8518db9dfee674e9c2f624f61bdb/When-There-Is---Biennale-Son-2023---16.jpeg" data-mid="206866245" border="0" src="https://freight.cargo.site/w/900/i/50d18e4d2766c204cbe16bcad0038ca691eb8518db9dfee674e9c2f624f61bdb/When-There-Is---Biennale-Son-2023---16.jpeg" /> <img width="8182" height="5455" width_o="8182" height_o="5455" data-src="https://freight.cargo.site/t/original/i/7773bfe416b9f309c33bc5906e50034781e21110e80aadec59f5c38cf776ddc2/When-There-Is---Biennale-Son-2023---28_FiNiStudio.jpg" data-mid="208018751" border="0" src="https://freight.cargo.site/w/1000/i/7773bfe416b9f309c33bc5906e50034781e21110e80aadec59f5c38cf776ddc2/When-There-Is---Biennale-Son-2023---28_FiNiStudio.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/454c787863971a876694ae2c9d47209e9308e00027800b3bdd288fa8b101e676/202309_BS-Archive_AlvinCurran_Biennale-son--photo-FiNiStud_01.jpg" data-mid="206865155" border="0" src="https://freight.cargo.site/w/1000/i/454c787863971a876694ae2c9d47209e9308e00027800b3bdd288fa8b101e676/202309_BS-Archive_AlvinCurran_Biennale-son--photo-FiNiStud_01.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/08876a72118a8571b82f381819812d370b204378a232167438df07fcf1080e80/202309_BS-Archive_AlvinCurran_Biennale-son--photo-FiNiStud_04.jpg" data-mid="206865156" border="0" src="https://freight.cargo.site/w/1000/i/08876a72118a8571b82f381819812d370b204378a232167438df07fcf1080e80/202309_BS-Archive_AlvinCurran_Biennale-son--photo-FiNiStud_04.jpg" /> <img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/e167ec0dd7849e7240c1a45b0f32cb3a672b5ca8532e7b9a2003b4309fe08025/When-There-Is---Biennale-Son-2023---11.jpeg" data-mid="206865158" border="0" src="https://freight.cargo.site/w/900/i/e167ec0dd7849e7240c1a45b0f32cb3a672b5ca8532e7b9a2003b4309fe08025/When-There-Is---Biennale-Son-2023---11.jpeg" /> <img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/3b35f63d5842cce559b4331133558972c2527d43623b4aade9d961057733b615/When-There-Is---Biennale-Son-2023---10.jpeg" data-mid="206865157" border="0" src="https://freight.cargo.site/w/900/i/3b35f63d5842cce559b4331133558972c2527d43623b4aade9d961057733b615/When-There-Is---Biennale-Son-2023---10.jpeg" /> https://baudelaire.net/When-Spike-Island Tue, 29 Nov 2022 07:34:35 +0000 ÉB https://baudelaire.net/When-Spike-Island May 28–September 18, 2022 When There Is No More Music to WriteÉric Baudelaire and Alvin Curran Spike Island, Bristol An exhibition by artist and filmmaker Éric Baudelaire and avant-garde composer Alvin Curran that traces a musical revolution taking place at a time of great political upheaval during the 1960s and 70s. Curated in collaboration with music historian Maxime Guitton, the show at Spike Island includes three new films by Baudelaire, two largescale 'sound sculptures' by Curran, and an archive display assembled by Guitton that recount Curran's life and work in Rome, where he settled in 1964. Curran is a key figure in the history of experimental music. He has expanded the notion of what an instrument can be to include objects from nature and everyday lite. Shortly after he moved to Rome, Curran met the ltalian avant-garde composer Franco Evangelisti, who told him: "Don't you know that there's no more music to write?" Over the years this phrase became key to Curran's musical experimentation, leading him to embrace electroacoustic improvisation as a way forward. Baudelaire's films combine Curran's first-person accounts of his life with details of the radical political mobilisations occurring in Italy at the time, which reached a boilingpoint with the kidnapping and murder of politician Aldo Moro by the Red Brigades in 1978. Situating Curran's work in the context of an artistic avant-garde motivated by the creative possibilities of collaboration and chance, they echo the music he created with found sounds by incorporating a range of source material, from Super 8 film to found footage from various archives. The films are presented alongside two sound sculptures by Curran: a self-playing piano suspended from the ceiling, and a collaborative 'instrumentarium' of found objects. Rare archive material assembled by Guitton also sheds light on how Curran's expansive experimental practice developed across nearly three decades • Carmen Juliá, curator,&nbsp;Spike Island <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/a4f1424f0f9ea204ad9a886234b846c3bbf590460af9e0d4a0e4bbf4f1a5c113/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-33.jpg" data-mid="160458240" border="0" src="https://freight.cargo.site/w/1000/i/a4f1424f0f9ea204ad9a886234b846c3bbf590460af9e0d4a0e4bbf4f1a5c113/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-33.jpg" /> Alvin Curran,&nbsp;Era Ora 1982–2018 Yamaha Disklavier piano, digital file <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/1a2e76cdeee896195d7952ae3861d5bb2ff6eb712a8aa47a2cc8c9a14a649a6e/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-22.jpg" data-mid="160458272" border="0" src="https://freight.cargo.site/w/1000/i/1a2e76cdeee896195d7952ae3861d5bb2ff6eb712a8aa47a2cc8c9a14a649a6e/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-22.jpg" /> A Lost Score 2022Found footage4 min 55 When There Is No More Music to Write 2022 Super 8 film and found footage 40 min <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/de3a52801a2ea4d4cc97b075947e5be587650616b18034cb585ddd6dbc956c01/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-112.jpg" data-mid="160458281" border="0" src="https://freight.cargo.site/w/1000/i/de3a52801a2ea4d4cc97b075947e5be587650616b18034cb585ddd6dbc956c01/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-112.jpg" /> <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/c65b8f1634074d9dde2ebb53e3e6441eb612a8d01fa240039f9e10f6885b891e/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-108.jpg" data-mid="160458277" border="0" src="https://freight.cargo.site/w/1000/i/c65b8f1634074d9dde2ebb53e3e6441eb612a8d01fa240039f9e10f6885b891e/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-108.jpg" /> <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/ad1cce95af65686735ab095483a8aa7d0517fffe10d4b45bacc64253836bc3c2/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-110.jpg" data-mid="160458280" border="0" src="https://freight.cargo.site/w/1000/i/ad1cce95af65686735ab095483a8aa7d0517fffe10d4b45bacc64253836bc3c2/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-110.jpg" /> Four Flat Tires&nbsp;2022Super 8 and found footage&nbsp; 15 min 23 <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/cfeb2d27d5b8590fc07a159f158edd7e8164b6368c4fe730e11ec089bef8edef/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-65.jpg" data-mid="160458622" border="0" src="https://freight.cargo.site/w/1000/i/cfeb2d27d5b8590fc07a159f158edd7e8164b6368c4fe730e11ec089bef8edef/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-65.jpg" /><img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/2fe0fbb1d5d7d5c5d26f6833048cda4588fcdfddc8945f06c965fe3add78dde9/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-75.jpg" data-mid="160458625" border="0" src="https://freight.cargo.site/w/1000/i/2fe0fbb1d5d7d5c5d26f6833048cda4588fcdfddc8945f06c965fe3add78dde9/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-75.jpg" /><img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/1397e2ced6c86ede2c8d6835696654fd45172944411f7f3e0cc6047334817f52/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-73.jpg" data-mid="160458626" border="0" src="https://freight.cargo.site/w/1000/i/1397e2ced6c86ede2c8d6835696654fd45172944411f7f3e0cc6047334817f52/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-73.jpg" /><img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/f93ab3795abe1ba5bc3b6968942675bdb951549b3285a6feac4ecc728ea82588/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-125.jpg" data-mid="160458627" border="0" src="https://freight.cargo.site/w/1000/i/f93ab3795abe1ba5bc3b6968942675bdb951549b3285a6feac4ecc728ea82588/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-125.jpg" /> Alvin Curran,&nbsp;Instrumentarium 2019–2022&nbsp; Found objects and TV monitor <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/b9b8126669e8a9672439b39d91d6cb205e0b755e445c3ff35810e39b4a270fe4/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-58.jpg" data-mid="160458899" border="0" src="https://freight.cargo.site/w/1000/i/b9b8126669e8a9672439b39d91d6cb205e0b755e445c3ff35810e39b4a270fe4/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-58.jpg" /> <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/fa74f7504d2f7cb5d9d56af3a85986cbdc722a0197189166c16e37ddea586d3c/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-59.jpg" data-mid="160458901" border="0" src="https://freight.cargo.site/w/1000/i/fa74f7504d2f7cb5d9d56af3a85986cbdc722a0197189166c16e37ddea586d3c/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-59.jpg" /> <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/76cc8328353ad1c6c6820e7faaed8fca98630e84ea27d2f17e55771badfb1828/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-54.jpg" data-mid="160458898" border="0" src="https://freight.cargo.site/w/1000/i/76cc8328353ad1c6c6820e7faaed8fca98630e84ea27d2f17e55771badfb1828/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-54.jpg" /> <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/7d83e6e8aebed9eb6e9efba900af54c38329001152e8f0b4593de29a936c8e55/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-50.jpg" data-mid="160458895" border="0" src="https://freight.cargo.site/w/1000/i/7d83e6e8aebed9eb6e9efba900af54c38329001152e8f0b4593de29a936c8e55/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-50.jpg" /> <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/ef317caaac9dbb461060bd13702410b6244332d3ad79dcb8f7ce32c8ec3f11bf/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-53.jpg" data-mid="160458897" border="0" src="https://freight.cargo.site/w/1000/i/ef317caaac9dbb461060bd13702410b6244332d3ad79dcb8f7ce32c8ec3f11bf/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-53.jpg" /> <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/f6a260fdf92029b72a4a9fb9b12b16f6aaf58966dd2e866aa4d84a52b65d0e82/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-49.jpg" data-mid="160458894" border="0" src="https://freight.cargo.site/w/1000/i/f6a260fdf92029b72a4a9fb9b12b16f6aaf58966dd2e866aa4d84a52b65d0e82/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-49.jpg" /> Alvin Curran, Archive 1959–1982 Various materials Alvin Curran, Beams 2022Performance, May 28, 2022 https://baudelaire.net/When-CRAC Wed, 26 May 2021 06:47:38 +0000 ÉB https://baudelaire.net/When-CRAC November 2019–February 2020 When There Is No More Music to Write CRAC Occitanie, SèteEarlier versions of the film and collaborative sound works were shown as part of the exhibition&nbsp;Faire avec, curated by Marie Cozette at the CRAC Occitanie. <img width="1027" height="1280" width_o="1027" height_o="1280" data-src="https://freight.cargo.site/t/original/i/e9c856f150afb47ccd267bacdb520e4e84b8c992354f55c066dbd9a651a0c7de/When-text.jpg" data-mid="111002773" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/e9c856f150afb47ccd267bacdb520e4e84b8c992354f55c066dbd9a651a0c7de/When-text.jpg" /> “Musical Instruments Created From Junk, Found Objects, Invented, Imaginary – for Maxime“, a text by Alvin Curran︎︎︎ <img width="1280" height="959" width_o="1280" height_o="959" data-src="https://freight.cargo.site/t/original/i/08f589f3c0a8a04c916f10b34043f7169540a62b2023138e44e00c7848a3f0c3/When-instruments.jpg" data-mid="111002769" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/08f589f3c0a8a04c916f10b34043f7169540a62b2023138e44e00c7848a3f0c3/When-instruments.jpg" /> Found instruments collected according to the principles descibed in the text, a Super 8mm film displayed on a monitor <img width="959" height="1280" width_o="959" height_o="1280" data-src="https://freight.cargo.site/t/original/i/13ac527852067c47ce8cab43028bd7877070e09dd3e3660c41a358914336233c/When-Era-Ora.jpg" data-mid="111002772" border="0" data-scale="50" src="https://freight.cargo.site/w/959/i/13ac527852067c47ce8cab43028bd7877070e09dd3e3660c41a358914336233c/When-Era-Ora.jpg" /> Era Ora, a sound piece by Alvin Curran for self-playing piano <img width="1280" height="959" width_o="1280" height_o="959" data-src="https://freight.cargo.site/t/original/i/23d1d95c47f593ba0ede97d351dc209ecd164df278c524c86917219046008505/When-film---vitrine.jpg" data-mid="111002776" border="0" src="https://freight.cargo.site/w/1000/i/23d1d95c47f593ba0ede97d351dc209ecd164df278c524c86917219046008505/When-film---vitrine.jpg" />A 75 minutes film and two vitrines of archival documents <img width="1280" height="854" width_o="1280" height_o="854" data-src="https://freight.cargo.site/t/original/i/694621bc8c22af5c1399316ab4e7147b79c06c87feb707a8a5dd03ece8337290/When-Dando-1.jpg" data-mid="111002775" border="0" src="https://freight.cargo.site/w/1000/i/694621bc8c22af5c1399316ab4e7147b79c06c87feb707a8a5dd03ece8337290/When-Dando-1.jpg" /> <img width="1280" height="854" width_o="1280" height_o="854" data-src="https://freight.cargo.site/t/original/i/efcc4e836d4600ec57441464814d7ea1940825cbcae7ab18a3ea72c42c8564ce/When-Dando-2.jpg" data-mid="111002768" border="0" src="https://freight.cargo.site/w/1000/i/efcc4e836d4600ec57441464814d7ea1940825cbcae7ab18a3ea72c42c8564ce/When-Dando-2.jpg" /> <img width="1280" height="854" width_o="1280" height_o="854" data-src="https://freight.cargo.site/t/original/i/f69423935b2ec5e16d0ad036b334b38cb1acb81026dfc2d77b950b34147bc7ce/When-Dando-3.jpg" data-mid="111002770" border="0" src="https://freight.cargo.site/w/1000/i/f69423935b2ec5e16d0ad036b334b38cb1acb81026dfc2d77b950b34147bc7ce/When-Dando-3.jpg" /> <img width="1280" height="854" width_o="1280" height_o="854" data-src="https://freight.cargo.site/t/original/i/8323821a924223dd7266fdc62f04ce0f4a7ed569096f14d9c60db557d07922a3/When-Dando-4.jpg" data-mid="111002771" border="0" src="https://freight.cargo.site/w/1000/i/8323821a924223dd7266fdc62f04ce0f4a7ed569096f14d9c60db557d07922a3/When-Dando-4.jpg" /> <img width="1280" height="854" width_o="1280" height_o="854" data-src="https://freight.cargo.site/t/original/i/997b80093d8f8553c6e98589dadf67fcb5a183237cf2177ac2da646dd89486ad/When-Dando-5.jpg" data-mid="111002774" border="0" src="https://freight.cargo.site/w/1000/i/997b80093d8f8553c6e98589dadf67fcb5a183237cf2177ac2da646dd89486ad/When-Dando-5.jpg" /> Dando i numeri, going nuts, a performance by Alvin Curran with 29 students from École(s) du Sud